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Best Top 100 Show and Exhibition by https://10times.com/top100
Ranking of more than 100.000 popular exhibitions, trade fairs, trade shows & conferences by industry in all countries and the world.
Show and Exhibition as a General or Artistic or trade fair (trade show, trade exhibition, or trade exposition) is an exhibition organized so that companies in a specific industry can showcase and demonstrate their latest products and services, meet with industry partners and customers, study activities of rivals, and examine recent marketâ
trends and opportunities as a solo exhibition, collective exhibition, or online exhibition.
An exhibition, in the most general sense, is an organized presentation and display of a selection of items. In practice, exhibitions usually occur within a cultural or educational setting such as a museum, artâ
gallery, park, library, exhibitionâ
hall, or World’sâ
fairs.
show is display, exhibit ( US), exhibition ( UK ), expose, exposition and parade.
Online Show, Exhibition up to 111093 Events at: https://10times.com/online
Online Events | Upcoming Virtual Events …10times.com
Top 10 Virtual Trade Show Platforms at: https://www.eventmanagerblog.com/virtual-trade-show
As virtual meetings and conferences become more common, we can only assume that online trade shows are next. Although they’re more complicated to transition online, there is existing tech to assist. Here are 10 tools for organizing virtual trade shows.
Virtual Trade Shows – EXHIBITOR magazinehttp://www.exhibitoronline.com âș topics âș article
Virtual trade shows have come a long way in the past five years. Today, they’re more widely accepted as valid marketing tools, and their speed and interactivity have kept pace with typical Web applications. For example, chat and real-time interaction with speakers is common now; whereas, these opportunities were practically unheard of when virtual shows first became part of the event-marketer’s arsenal.
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A virtual tradeshow (or a virtual trade fair) : From Wikipedia
is a type of virtualâ
event run in an online environment, that is hosted online for a limited period of time. It can be considered the online equivalent of a traditional tradeshow or exhibition, but exhibitors and visitors connect with one another on the web, rather than in person.
Virtual tradeshows : From Wikipedia, can be accessed anywhere, as they are not limited by their geographic location, so all that’s needed to attend is a device with a good connection to the internet. Virtual tradeshows facilitate direct interactions between exhibitors and attendees with interactive features, such as liveâ chat, chat rooms, 1 to 1 or group video calls, Q&A, Live webinars or on-demand webinars, webcasts, lucky draws, and more.
Overview
The strucÂture of a typÂiÂcal virÂtual tradeshow often inÂcludes a virÂtual exÂhiÂbiÂtionâ hall which users enter with speÂcific perÂmisÂsions and caÂpaÂbilÂiÂties. ExÂhibitors can build virÂtual booths to exÂhibit inÂforÂmaÂtion reÂlated to their prodÂucts or serÂvices, just as they would at a trade fair in a conÂvenÂtionâ cenÂter; visÂiÂtors view these virÂtual tradeâ showâ disÂplays in the exÂhiÂbiÂtion hall. Users – both exÂhibitors and visÂiÂtors – within the enÂviÂronÂment often creÂate avatars as a viÂsual repÂreÂsenÂtaÂtion of themselves.
Like their physÂiÂcal counÂterÂparts, virÂtual tradeshows may have other comÂpoÂnents such as a webâ conÂferÂence, weÂbÂcast, web semÂiÂnar (‘weÂbiÂnar’), or other edÂuÂcaÂtional preÂsenÂtaÂtions. The virÂtual tradeâ fair thus proÂvides live inÂterÂacÂtion, beÂtween users, on sevÂeral levÂels (one-to-one, one-to-few, one-to-many and many-to-many) and siÂmulÂtaÂneÂously. DeÂtailed trackÂing mechÂaÂnisms allow orÂganÂisÂers to deÂterÂmine the flow of trafÂfic in the virÂtual tradeshow. AlÂthough virÂtual tradeshows are usuÂally conÂducted in speÂcialised web enÂviÂronÂments, some have been orÂganÂised and conÂducted in tightly conÂtrolled textâ basedâ enÂviÂronÂments.
VirÂtual tradeshows can be used for inÂterÂnaÂtional tradeshows, busiÂness match-makÂers, proÂcureÂment fairs, or prodÂuct launches. The exÂpeÂriÂence also transÂlates well for other apÂpliÂcaÂtions such as virÂtualâ jobâ fairs, virÂtual benÂeÂfits fairs, onÂline emÂployee netÂworks, disÂtribÂuÂtor fairs, and venÂtureâ capÂiÂtal fairs.
Providers of virÂtual event platÂforms have seen imÂmense growth in the deÂmand for their prodÂucts partly atÂtribÂutÂable to the 2009-2010 reÂcesÂsion driÂving cost-cutÂting apÂproaches to busiÂness. AcÂcordÂing to a ChamÂpion ExÂpoÂsiÂtion SerÂvices study, one in four peoÂple planned to use a digÂiÂtal event platÂform in the asÂsoÂciÂaÂtion marÂket. The study also found that 70% of “reÂsponÂdents are acÂtively proÂducÂing, conÂsidÂerÂing or inÂterÂested in purÂsuÂing virÂtual events.” HowÂever, many were not lookÂing to reÂplace physÂiÂcal events, but enÂhance them with inÂterÂacÂtive virÂtual feaÂtures.
Visitor facilities
VisÂiÂtors to a virÂtual tradeshow usuÂally fill out an onÂline regÂisÂtraÂtion form to creÂate an onÂline badge and then enter a virÂtual exÂhibitâ hall to visit virÂtual booths. The virÂtual booths often reÂflect the imÂagery of a real-world tradeshow booth with desks and disÂplays (this simÂiÂlarÂity helps users reÂlate to them more easÂily). A virÂtual booth typÂiÂcally has sevÂeral icons which can trigÂger difÂferÂent reÂsponses upon the clickâ ofâ theâ mouse. For exÂamÂple, visÂiÂtors might iniÂtiÂate inÂstant comÂmuÂniÂcaÂtion with the exÂhibitor via an inÂstantâ mesÂsage, email or a voice call. Icons might also deÂliver mulÂtiÂmeÂdia such as videos and audio mesÂsages or other slide-show preÂsenÂtaÂtions.
Exhibitor facilities
VirÂtual exÂhibitors use onÂline tools to upÂload relÂeÂvant and taiÂlored conÂtent to apÂpeal to the auÂdiÂences. VirÂtual exÂhibits may be made to look like an exÂhibitors’ real-world booth in any in-perÂson trade fair where they may be exhibiting.
While some events are hosted only onÂline, virÂtual tradeshows could also be run in conÂjuncÂtion with real-world or in-perÂson tradeshows, creÂatÂing ‘hyÂbridâ events‘.
VirÂtual tradeshows typÂiÂcally cost much less than traÂdiÂtional trade shows. Since virÂtual trade shows can be conÂducted from a perÂson’s desk, the cost of travel, lodgÂing and physÂiÂcal conÂstrucÂtion of a trade show disÂplay is elimÂiÂnated (exÂhibitors will usuÂally, of course, be charged for the privÂiÂlege of havÂing an onÂline stand at the virÂtual tradeshow).
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A ( World Exhibition ) or Expo or ( world’s fair ) is a large international exhibition designed to showcase the achievements of nations. These exhibitions vary in character and are held in different parts of the world at a specific site for a period of time, ranging usually from three to six months. The term “world’s fair” is typically used in the United States.
see Listâ
ofâ
worldâ
expositions.
World Expos are also massive in scale, sometimes 300 or 400 hectares in size (Montreal’s Expo 67 was 410 hectares, Osaka’s Expoâ 70 was 330 hectares, Seville’s Expoâ ’92 was 215 hectares, and Shanghai’s Expoâ 2010, 528 hectares). Pavilions participating at a World Expo can also be large, sometimes 5,000 to 10,000 square meters in size, mini-city blocks in themselves, and sometimes more than several stories in height. (The Australia Pavilion for Shanghai 2010 was 5,000 square meters, the British Pavilion sat on a 6,000 square meters lot, as did the Canadian Pavilion. The flagship Chinese National Pavilion had 20,000 square meters of exhibition space.)
World Expos have been known to average 200,000 persons per day of visitors – or more – and some 50 to 70 million visitors during their six-month duration. Montreal’s Expo 67 attracted 54 million visitors, Osaka‘s Expoâ ’70, 64 million visitors, the Seville Expo ’92, 41 million visitors, and Shanghai’s Expo 2010 attracted 70 million visitors. As a result, transport and other infrastructure at a Registered Exposition is an important concern (Seville’s World Expo of 1992 boasted cableâ car, monorail, boat, and bus), and the overall cost for hosting and being represented at a World Expos is quite high, from 10 billion to 100 billion dollars compared to the smaller-scale Specialised Expos.
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Expo 2020 From Wikipedia + https://www.expo2020dubai.com
Expo 2020 (Arabic: Ű„ÙŰłŰšÙ 2020â) is a Worldâ Expo, hosted by Dubai in the Unitedâ Arabâ Emirates from 1 October 2021 to 31 March 2022. Originally scheduled for 20 October 2020 to 10 April 2021, it was postponed due to the COVID-19â pandemic.
The main site of Expo 2020 Dubai is a 438-hectare area (1083 acres) located between the cities of Dubai and Abu Dhabi, near Dubai‘s southern border with Abuâ Dhabi.
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Expo 2020 Dubai will host the world for 182 days, each one brimming with new experiences. It’ll be a time to create, collaborate and innovate.âUnderstanding Expo · âExpo 2020 Dubai · âAfter Expo 2020 · âVisiting Expo site
Expo 2020 – Wikipediahttps://en.wikipedia.org âș wiki âș Expo_2020Expo 2020 (Arabic: Ű„ÙŰłŰšÙ 2020â) is a World Expo, currently hosted by Dubai in the United Arab Emirates from 1 October 2021 to 31 March 2022.Countries: 192Venue: Dubai Exhibition Centre, Dubai, United …Country: United Arab Emirates
Web results
The official website of Canada’s participation at Expo 2020 …https://expo2020.canada.ca âș …
Promoting Canadian know-how at Expo 2020 Dubai is the perfect example of how our government is opening doors for Canadian companies of all sizes to compete and …
Expo 2020 Dubai | Discover Dubai | Emirates Canadahttps://www.emirates.com âș english âș expo-2020
Each day of the 182 days of Expo 2020 Dubai is filled with new experiences that showcase the best the world has to offer. Flavours, cuttingâedge technology, …
Scenes from Dubai’s Expo 2020 | CBC Newshttps://www.cbc.ca âș news âș world âș dubai-expo-2020-…
Oct. 1, 2021 â Scenes from Dubai’s Expo 2020 · Social Sharing · World’s fair runs until March 31, 2022, featuring pavilions from 192 nations · Opening ceremony …
Canada’s modest offering at Expo 2020 hopes to sell people …https://www.cbc.ca âș expo-world-fair-relevant-1.6212573
8 days ago â Expo 2020 opened in Dubai on Oct. 1, 2021, after a year’s delay due to the pandemic and runs until the end of March 2022. The Canadian pavilion, …- Expo 2020 Dubai (@expo2020dubai) âą Instagram photos and …https://www.instagram.com âș expo2020dubaiExpo 2020 Dubai … We all have the power to shape the future. Join the making of a new world, from 1 October 2021 – 31 March 2022. … Photo shared by Expo 2020 …
- Dubai Expo presents a facade of 192 nations at peace … – CNNhttps://www.cnn.com âș 2021/10/10 âș world âș expo-2020-…
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List of world’s fairs from: https://wiki2.org/en/List_of_world%27s_fairs
This is a list of international and colonial world’s fairs, as well as a list of national exhibitions, a comprehensive chronological list of world’sâ
fairs (with notable permanent buildings built). For an annotated list of all world’s fairs sanctioned by the Bureauâ
Internationalâ
desâ
Expositions (BIE), see Listâ
ofâ
worldâ
expositions. Continue reading: https://wiki2.org/en/List_of_world%27s_fairs
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Expo 2020 logo
Images
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Queenâ Victoria opens the Greatâ Exhibition in Theâ Crystalâ Palace in Hydeâ Park, London, in 1851.
Poster for the 1900 expo
Poster for the 1933â Chicagoâ World’sâ Fair by Glenâ C.â Sheffer
Queenâ Victoria opens the Greatâ Exhibition in Theâ Crystalâ Palace in Hydeâ Park, London, in 1851.
The Crystal palace effectThe Crystal palace effect
There comes the importance of showing, seeing and being seen. Using a light glass architecture allowed every visitor to observe the kingâs holdings. From the outside, everyone was able to watch unknown and mesmerizing plants grow.
Examining the Crystal Palace and Other Cultural Artifacts of the Worldâs Fairs
Radical designs that still hold cultural relevance today
from: Medium.com
Innovative. Transcendent. Powerful. Exciting. These were the words used by those who feasted their eyes on the Crystal Palace that housed the Great Exhibition of 1851, as well as other significant cultural artifacts of the worldâs fairs such as the Eiffel Tower. Although many of these artifacts and structures are iconic landmarks today, they were meant to embody a sense of progression and advancement. These cultural artifacts articulated the aims and values that the worldâs fairs intended to seek in its visitors. While not all critics agreed, these structures at the worldâs fairs signified cultural and artistic achievement through their avant-garde and radical values.
Held in Hyde Park, London in 1851, the Great Exhibition was the first worldâs fair organized to display exhibitions of culture and industry that were new during this time of the nineteenth century. The Great Exhibition helped influence future concepts that would arise in the twentieth-century such as new art forms, cultural exchange and tourism. Organized by Queen Victoriaâs husband Prince Albert and other members of the Royal Society of Arts, the Great Exhibition exhibited achievements from countries worldwide and highlighted Britainâs superiority in the modern world through technological advancements. Among them was The Crystal Palace, an innovative structure made of cast-iron and plate-grass that provided 990,0000-square-foot of exhibition space. The Crystal Palace was a symbol of British pride. âIf you were a visitor to London at the turn of the twentieth-century, the Crystal Palace would have been at the top of your tourist bucket list as one of the cityâs iconic landmarks that held the same prestige as the Tower of London or Buckingham Palace still hold to this day,â says writer Allison McNearney in an article entitled The Glorious Birth and Blazing End of Londonâs Crystal Palace. Prince Albert felt that it was only right for the exhibition to be held in a brand new state-of-the-art building that would allow visitors to truly recieve a captivating experience in viewing the progressive exhibits that housed over 100,000 objects stretching more than ten miles long.
Designed by Joseph Paxton, an architect and gardener, the Crystal Palace was constructed over a period of five months. The building introduced brand new developments in architecture, construction and design to the public eye; coinciding with the aims and values of the Great Exhibition and worldâs fairs whose sole purpose was to introduce new advancements developed by the different nations of the world to unite state-of-the-art science and technology. The Crystal Palace defined what it meant for a building to be state-of-the-art through its luxurious interior and uniquely shaped façade. Having already experimented with glasshouse construction, Paxton introduced a combination of prefabricated cast iron, laminated wood and standard sized glass sheets to create the buildings unique âridge-and-furrowâ roof design, similarly to the greenhouse he constructed at the Chatsworth house in Derbyshire, England in 1837. âThis most radically translucentâand simultaneously stubbornly opaqueâof nineteenth-century constructions may well have been our modernityâs most unsurpassable artifact,â writes art historian Donald Preziosi in his lecture article Brain of the Earthâs Body â Art, Museums, and the Phantasms of Modernity. Preziosi describes the Crystal Palace as a âmighty planâ and alludes to the fact that the Crystal Palace, as well as the Great Exhibition of 1851, influenced the âstylelessâ system that would be present across Europe and the âEuropean-dominated and influenced worldâ of the nineteenth century through various other exhibitions to follow; including future museums and city-plans. With the Crystal Palace providing the template for modernity, the Great Exhibition would succeed in presenting itself as a place to view modern art, technology and culture at the same location and time. Drawing over six million visitors, the Great Exhibition proved a success with the power of the exhibition lying in the engineering of the building.
The Crystal Palace was art itself with its ingenious design that created an unprecedented exhibition space and helped shape the art of engineering throughout the nineteenth century. âThe method of construction was a breakthrough in technology and design, and paved the way for more sophisticated pre-fabricated design,â writes architect and journalist Gili Merin in an article entitled AD Classics: The Crystal Palace/Joseph Paxton. Paxton paved the way for other architects and engineers to help bring forth the ideas and values of modernity and advancement of the Worldâs Fairs to future exhibitions that followed. Thus too, art and technology progressed from its conventional forms, creating new movements and progressions that allowed worldâs fairs visitors to dwell into the beauty and modernity the fairs had to offer. The International Exposition of 1867 in Paris brought forth revolutionary artists such as Edouard Manet and Gustave Courbet who challenged academic convention and helped birth modern art. The two painters would also become key components in bridging the gap between Realism and Impressionism. Twenty years later, the Exposition Universelle of 1889 in Paris saw the rise of another innovative structure â the Eiffel Tower.
The Eiffel Tower was the major symbol of the 1889 Exposition and was designed to flourish in the new modernist world of sculpturing and engineering, a world that no longer confined art to strictly paintings. Designed by French civil engineer Gustave Eiffel, the tower was among the projects in the arts supported by the Third Republic of France. âThis government sought out such works as agents in helping people to meet the demands of the modern age both actually and metaphysically â the Eiffel Tower was thus meant to serve as an example of harmony in both art and society,â writes American historian Shelley Cordulack in her article A Franco-American Battle of Beams: Electricity and the Selling of Modernity. Unlike the Crystal Palace which received a positive reception and appraise from notables such as Queen Victoria, the Eiffel Tower outraged some of the many big names in art and literature at the time including architect Charles Garnier and composer Charles Gounoud. Both Frenchmen viewed the tower as âuselessâ and argued that the tower humiliated the classic monuments and architecture Paris had to offer. âFor my part I believe that the tower will possess its own beauty,â argued Eiffel in an interview for the newspaper Le Temps in 1887. âAre we to believe that because one is an engineer, one is not preoccupied by beauty in oneâs constructions, or that one does not seek to create elegance as well as solidity and durability.â Eiffelâs words helped emphasize the aims and values that the worldâs fairs embodied â a sense of transcendentalism and the framing of many aspects of modern life. For once art did not rely on the foundations of traditional design nor was it limited to what meaning it could have. During this time, artists such as Vincent van Gough and Auguste Rodin would give art a new voice and by the Exposition Universelle of 1900 in Paris more technological advancements would be presented through the developments of the Ferris wheel, diesel engines, talking films, escalators and the telegraphone.
The construction of the Crystal Palace and the Eiffel Tower, both exposition symbols in their own right, christened the birth of a new modernist artistic age. By pushing boundaries and going against the norms of society, this new avant-garde approach in the fields of art, science and technology revolutionized the modern world and allowed the worldâs fairs to showcase each cultural and artistic achievement. Acting as the precursor to the modern museum, the worldâs fairs were beyond their time and cemented their legacy as symbols of progression and advancement.
Read more at : Medium.com
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Exposition universelle in Paris, 1867
Expo 2000 brickwork, for the World Expo in Hannover, Germany in the year 2000.
ASIMO at Expo 2005 in Japan.
Panoramic view of Expoâ 2012â Yeosu, in South Korea
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Art exhibition – Wikipediaen.wikipedia.org
Exhibition – Wikipediaen.wikipedia.org
Fair – Wikipediaen.wikipedia.org
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